Divya's Personal Blog

Many artists lived in the Greenwich Village area of New York. Two young women named Sue and Johnsy shared a studio apartment at the top of a three-story building. Johnsy's real name was Joanna. In November, a cold, unseen stranger came to visit the city. This disease,  pneumonia , killed many people. Johnsy lay on her bed, hardly moving. She looked through the small window. She could see the side of the brick house next to her building. One morning, a doctor examined Johnsy and took her temperature. Then he spoke with Sue in another room. "She has one chance in -- let us say ten," he said. "And that chance is for her to want to live. Your friend has made up her mind that she is not going to get well. Has she anything on her mind?" "She -- she wanted to paint the Bay of Naples in Italy some day," said Sue. "Paint?" said the doctor. "Bosh! Has she anything on her mind worth thinking twice -- a man for example?" &qu

  Major Themes and Issues in the Play  Idealistic Leadership   What makes the Sultan‘s character more fascinating is his paradoxical and complex nature. He is portrayed as ―a dreamer and a man of action, benevolent and cruel, devout and callous.‖ U.R. Anantha Murty remarks: ―Both Tughlaq and his enemies initially appear to be idealists; yet in the pursuit of the ideal, they perpetrate its opposite. The whole play is structured on these opposites: the ideal and the real: the divine aspiration and the deft intrigue.‖ These opposites constitute the main charm of the structure of Tughlaq. Tughlaq promises his Subjects to maintain ―justice, equality, progress and peace -- not just peace but a more purposeful life‖ ―without any consideration of might and weakness, religion or creed.‖ But to a great surprise he could not win the hearts of his public. He wants to give his ―beloved people‖ peace, freedom, justice and progress. He says that his people would witness how justice works

About the Author Gabriel Okara , in full  Gabriel Imomotimi Gbaingbain Okara , (born April 21, 1921, Bumodi, Nigeria), Nigerian poet and novelist whose verse had been translated into several languages by the early 1960s. A largely self-educated man, Okara became a bookbinder after leaving school and soon began writing plays and features for radio. In 1953 his poem “The Call of the River Nun” won an award at the Nigerian Festival of Arts. Some of his poems were published in the influential periodical  Black Orpheus , and by 1960 he was recognized as an accomplished literary craftsman. Okara’s poetry is based on a series of contrasts in which symbols are neatly balanced against each other. The need to  reconcile   the extremes of experience (life and death are common themes) preoccupies his verse, and a typical poem has a circular movement from everyday reality to a moment of joy and back to reality again. Okara incorporated African thought, religion, folklore, and imag